Theme is not the characters or the storyline or the first idea that started the narrative. By way of example, a writer could begin with the concept of exploring family relationships between women, but as his story progresses, his subject may shape up as understanding and forgiveness between different generations of guys.
Theme is indicated, sometimes without the author’s understanding of it at the beginning; however, more seasoned writers usually work on their subject more difficult than any other part of the narrative once they catch on to what it is they’re writing about.
Fiction by its very definition is unreal. After we see a novel we are aware that the story and the characters in it are merely a product of imagination of the writer. When we see a movie we are aware that the characters are only acting their parts basically pretending to be someone besides themselves. Still we are mentally affected by the twists and turns in the story. We laugh with them, weep together, and also sense indignant towards the bad men. The lovable hero or heroine may be despicable in actual life and the protagonist might be a perfect gentleman, but we identify them using the characters they are portraying. In essence for that short period we ourselves get hauled into the imaginary world of the writer. Oddly enough this happens too with the writer at least to some of these. He or she travels through the very same emotions while writing and perhaps later as well. What have just discussed is crucial for your knowledge about site, but there is a lot more to think about. There is a remarkable amount you really should take the time to know about.
They will serve you well, however, in more ways than you know. Gaining a high altitude overview will be of immense value to you. So we will give you a few more important ideas to think about.
Another advantage is that it can enhance your creativity and help you become more imaginative. There are instances when you find your imagination isn’t creative enough and you also get stuck when you’re coming up with a few ideas for a creative job. As you read through the story storyline, you will be able to envision the plots in your mind. By improving your creativity, you will have the ability to create better games, create more creative arts and write better stories of your own.
An experienced and capable author never pronounces what his theme is about inside his story. For a story to be successful, its subject needs to stay invisible but hinted at with subtlety through other apparatus of fiction.
Getting back to fiction that the creativity of the author also has to be based on his direct or indirect encounters. In this sense fiction relies on reality and to this extent it represents just another dimension of reality. Here of course we run to the philosophical problem of the precise significance of reality. You will find two diametrically opposite views – materialistic and spiritualistic. According to the prior only things that can be perceived through our perceptions are real, everything else is unreal. The latter maintains that there’s one ultimate fact from which we perceive comes out and what that is perceived is only an illusion. We again consider a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was clearly referring to the fact of the phenomenal world. The word illusion can have different connotations but generally it means perceiving something rather different from what it really is. Therefore the presence of the thing is a prerequisite for illusion, it isn’t a mental construction. Imagination is purely a mental phenomenon and has nothing to do with anything really existent. Thus the relationship between fiction and reality is completely different from that between reality and illusion. You can always check different fiction stories for reference.
For instance, if we choose Charles ckens’s “A Tale of Two Cities” the primary identifying motif may take the form of this question: Can you forfeit his life for the one he loves? At the same story, many smaller topics are interwoven too, like death and life, resurrection, revolution, religion and revenge, war and peace, and power or abuse of power, since many works of fiction carry many encouraging topics that wrap around the primary theme.
“I believed we were going to learn about good and evil, human nature, how to be great. You understand. Exactly what God is like. You know. How to live. But we are learning about P plus Q arrows or S. What’s that, haw? I work daily, and commute for two hours, and what exactly do I get? P and Q arrows R.”
A much used means to demonstrate a theme is through the actions of the protagonist and the antagonist, with the antagonist revealing the dark side of the motif and the protagonist the optimistic side.
“Knowledge is limited, imagination is not.” Albert Einstein explained that although the wording of the next part might have been different. Einstein like any other human being was not infallible. A number of his views that he held right until the ending turned out to be wrong in the field of physics. In this particular announcement he also appears to have it backwards. Knowledge might be restricted in the case of an individual but in general it is infinite even if we believe just rational knowledge leaving aside transcendental. Science in particular has shown this at every step in the course of its own development. Imagination pertains to a single mind and is constrained by numerous things based on the circumstances of the individual. A mind can imagine only what happens in a way to things already stored inside. A person that has never been outdoors a remote place in wilderness and has had no contact with the world outside cannot envision what metropolitan cities are like.
I wrote a short story called “Shooting Goliath” as a sensible narrative of what happened to me once I dropped off a waterfall. BUT I also have a scene in my own time travel adventure where my main character jumps off a waterfall to catch someone else’s interest. Now I understand that’s fiction… because I am scared of heights, but I have had the experience which makes that segment believable. I have a character in that book that lost their partner after 30 years, and it has happened to me. My story is based on the concept you can’t help others if you can’t help yourself. Every personality has doubts and fears to overcome before they can complete their assignments. I concentrate on what I do know, not on what I do not.
If the theme envelopes an emotion, its power becomes universal. When the writer creates and dramatizes his theme through an emotion, his saying of the fact leaves an unforgettable impact on the reader. Hence an ambitious author may pick an emotion because the big part of the theme.